They’re Coming to Get You
It’s
Halloween—that time of year when I start craving horror films like junk food.
Of course, I watch horror movies year round, actually gravitate to them before
I do most other films—but something about the seasonal weather change and the
holiday, kick the addiction into overdrive.
I’m not
talking your average horror movies here. I refuse to risk what little viewing
time I have on some BS like Paranormal
Activity 19. There are so many new horror movies popping up these days that
I have two choices—either wait, and let time dictate their worthiness, or rely
solely on an established director’s reputation.
Side
notes and conflict:
I love Guillermo del Toro, and I really want to see Crimson Peak at a theater. But there are so many CGI effects in the
commercials that it looks as fake as the last Jurassic Park movie. And then there is American Horror Story which uses less CGI, but more in-your-face
horror and gore than anything I have ever seen on television. But its
excessiveness undermines its credibility, and people like me start growing
bored and listing all the proven sources that the series is “paying homage” to—re:
Ripping Off.
Yet
another side note:
I am passionate about The Walking Dead,
so much so that I could probably dedicate a blog to nothing but the show.
Everything excluding the concept of it is original and expertly executed. But TWD is not what I had in mind for today’s
blogpost. No. I am here to talk about the granddaddy of all things zombie: Night of the Living Dead.
I gave
up a few Octobers back on trying to catch great horror movies on television.
Granted, there are occasional gems broadcasts on channels like TCM, AMC, and
the like, but most air closer to the 31st, and rarely will your
schedule line up with the film you really want to see. No—as I said before,
this time of year I don’t squander time on lesser performers. I break out my
own DVD collection. I’ve had time so far to watch six classics (in my mind, at
least), and I started the whole shebang off with George Romero’s seminal film.
I first
saw Night of the Living Dead on VHS
in the early 1980s. I’m fairly certain I saw it after having seen its sequel, Dawn of the Dead, at a midnight movie
showing at the Kingston Four in Knoxville, TN. Videotape was a relatively new
market then—movie rental stores privately owned and expensive—and title
availability was nowhere near as deep as the selection we have today. I read Fangoria magazine regularly, long
anticipating the movie’s iconic black and whites stills to lurch forth from its
pages and on to my television screen. I simply had to see the movie that was
banned in (pick a number) countries!
It did
not live up to its expectations. Not then.
The
print was horrible, the acting and dialogue stilted. Nothing was all that shocking—certainly not enough to
garner its reputation. The lead female, Judith O’Dea, was so annoying that I
wanted Ben to toss her out the front door and feed her to the zombies, sparing
us all the melodrama.
But
later that night, when the lights were out and I was trying to sleep, the film
kept creeping back into my subconscious. While watching shadows dance in the
dark cross my ceiling, I couldn’t help but wonder: What if it happened right now? What would I do?
Since
then I have seen the film countless times. I own more than one remastered
version, pristine prints, juiced-up audio, and extras galore. I became a
dedicated fan of Richard Matheson (yet another blog topic), writer of the
classic, I Am Legend—a book about a
man alone in a world of vampires—which George Romero has often said was the
inspiration of the film.
My
obsession with Night of the Living Dead
has gone so far as that I have written a zombie apocalypse novel myself (Will to Live: The Dead Next Door, to be
published in 2016), knowing full-well that the market is inundated with such pulp,
and filled to the brim with some of the worst writing ever.
So, why—why
has this b-movie concept of cannibal corpses taken root and grown in me for the
last 3+ decades? Why has the idea now germinated in the masses, making shows
like The Walking Dead immensely
popular? What is it about dead folks eating the living that keeps bringing us
back for more?
I cannot
say for others, but I came to my own answers while writing the aforementioned
novel. It is not a new revelation, nor a glamorous one. In fact, it likely hearkens back to the Neanderthals: We are obsessed with our biggest fear—our own
mortality. What happens to us when we die? Night
of the Living Dead is not only a metaphor for that age-old question, it is
the living (ha-ha) embodiment of that
confrontation. No, we won’t rise and eat people—but we will wither away and
deteriorate like the shambling corpses in pursuit. Death is always chasing us,
and it will always catch us in the end.
I don’t
want to leave you on such a downer. So, I also have a theory about my obsession
with apocalyptic fiction—not necessarily zombie apocalypse, but definitely the
collapse of civilization that that particular sub-genre resides in—however, you
might not like it either…
Remember
when you were a child, and your parents used to nag you about how things were
better when they were growing up? Well, that trait is inherent is us as well.
Face it. Wouldn’t it be nice if the world were a simpler place, like when we were growing up? Think about it—no
constant communication, no Wi-Fi, no computers, no cellphones, and no Facebook.
Do we really need six hundred channels on
the TV to choose from, reality TV, and
TV on demand? Everything now is at our fingertips—there is no mystery, no
anticipation. Have we become spoiled, complacent, perhaps vulnerable?
Wouldn’t
it be nice to just read a book without having to worry about the all the current,
frivolous interruptions in our daily life? I think so.
…Maybe worth
killing zombies for.
Shameless
Plugs:
I don’t
write poetry often, but I have a creepy-cool Halloween poem for free: click here.
Please vote and/or comment on it.
The
first two chapters (soon to be a third) of Will to Live: The Dead Next Door are
free as well: click
here. Please vote and/or comment on it.
Stories
available for purchase are on Amazon: click
here. Thanks in advance for your purchase and please, please, please write
an honest review.
Happy
Halloween!
TWS
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